The Glass Castle—2.5/5 stars

Woody Harrelson might be the best contemporary actor at playing an alcoholic. Naomi Watts and Brie Larson star alongside Harrelson in The Glass Castle, the third feature film (and first under a major studio) from writer/director Destin Daniel Cretton. With so much talent and so many resources, a film like this shouldn’t go wrong. It does. Harrelson plays Rex Walls, husband and father of four. … Continue reading The Glass Castle—2.5/5 stars

Baby Driver

In Summer 2017, Hollywood reached peak block-buster ad-nauseum. “Baby Driver” looked like it was going to be more of the same – another cliched action film riddled with car chases and explosions. Going to the theater, I was prepared to be thoroughly bored. Yet, within minutes of the film starting, “Baby Driver” had my complete attention and wouldn’t let go. “Baby Driver”  – Edgar Wright’s … Continue reading Baby Driver

Splendor without Spectacle

  Some wry reflection in the current style on how the wonder of the eclipse seemed rather darkened by the contraceptive glasses that my eye doctor insisted must be worn to keep my sight, partially was obscured by clouds blowing in at the totality and contemplated by naked eyes, an unexpected splendor needing no interposition.     Benjamin Beier is an Assistant Professor of Education.   Continue reading Splendor without Spectacle

82.3% Eclipse of the Heart

There are two types of Trekkies: those who love Star Trek: Deep Space Nine, and those who don’t. Similarly, in the physics community, there are two types of solar-eclipse viewers: those who go for totality, and losers. During the Great Eclipse of 2017, I was the only member of my physics department not to boldly go to far-flung destinations to experience totality. And I felt … Continue reading 82.3% Eclipse of the Heart

Dunkirk

Christopher Nolan’s Dunkirk treats the miracle of the 1940 evacuation with a refreshing solemnity. Nolan chooses progression of time rather than exchange of words as his medium of communication, but even that time is warped as the plotlines transition between land, sea, and air, each frame lasting the space of a week, a day, and an hour, respectively. Minimal, deliberately stilted dialogue leaves us looking … Continue reading Dunkirk