Faulkner and Film: A Bridge Between Mediums
By Chandler Ryd Faulkner From the opening pages of William Faulkner’s experimental novel The Sound and the Fury, it’s immediately apparent that the story unfolds through an unconventional narrative technique. Those familiar with the body of Faulkner’s work will likely notice his trademark use of stream-of-consciousness, but in this novel, Faulkner adds something even more unusual. The novel is divided into four sections of roughly … Continue reading Faulkner and Film: A Bridge Between Mediums
