“Take Me to Church”: Hozier and Man’s Innate Religious Impulse

Perhaps pagan, apparently agnostic, undeniably unchristian—whatever category you apply, Hozier’s music is fundamentally religious. Rather than divorcing faith from art,  Andrew Hozier-Byrne, who performs under the stage name Hozier, brings religion to center stage. He wrestles with God in both of his albums, inviting his audience to actively contemplate the afterlife and critically analyze the nature of worship alongside him. His disdain for institutionalized Christianity, … Continue reading “Take Me to Church”: Hozier and Man’s Innate Religious Impulse

The Negative Space of Music: Jacob Collier’s Djesse Vol. 3

If you’ve had a conversation with me about music recently, it’s likely that Jacob Collier has come up. His most recent album, Djesse Vol. 3, has become somewhat of an obsession of mine—I haven’t been able to stop listening since its release this past August. The extent to which Jacob Collier has captured my imagination is rather odd, because his music is, well, rather odd. … Continue reading The Negative Space of Music: Jacob Collier’s Djesse Vol. 3

Music Review: Brittany Howard, Jaime

In late September, Brittany Howard released her first solo album and embarked on a two-month international tour. The album, Jaime, takes its name from the older sister who taught Howard to play the piano and who died of cancer as a teenager. A short half-hour and eleven tracks long, Jaime artfully unfolds its maker’s history: her loves, perspective, anxieties and wounds.  To work on this … Continue reading Music Review: Brittany Howard, Jaime