How far do the bonds of love go? What makes a monster? What makes a man? These are some questions that Guilleromo Del Toro’s sprawling fantasy-fairytale The Shape of Water seeks to ponder. Aside from being a visual treat, the film is an emotive, layered social commentary on the nature of man that will pull on the heartstrings. If Del Toro is a master of … Continue reading The Shape of Water
Within the first two minutes of this film, director Kogonada knocks you off your feet with his commitment to symmetry. The visual symmetry in each shot mirrors a dramatic parallelism drawn between the lives of two people struggling to break free from the past. Casey is a recent high school grad and architecture enthusiast who has forgone going to college in order to take care … Continue reading Columbus
Lady Bird simply sings. It is a triumph—an era-defining coming of age story in the same vein as The Graduate, The Breakfast Club, and The Garden State—that is sure to have a similar impact on those who grew up in the early 2000s. While being wholly novel and refreshing in its approach, Greta Gerwig’s coming-of-age debut seems so well-known, so personal, and so honest that … Continue reading Lady Bird
All work stops at The Washington Post when everyone feels the whole building lurch and groan. The press is running. Steven Spielberg’s The Post recounts the story of The Washington Post, at that point a small, family owned newspaper, crashing onto the public scene as the editors attempt to publish classified White House documents on the Vietnam War. The paper owner, Katherine Graham (Meryl Streep), … Continue reading The Post
This past July on a warm summer afternoon, I attended a family friends’ poetry night—a classy little shindig with hors d’oeuvres, heels, sophisticated people, and, of course, poetry. A few months later, one of these poems unexpectedly resurfaced in a conversation with a friend. It was a poem entitled “A Fair World Tho’ a Fallen” by Christina Georgina Rossetti: You tell me that the world … Continue reading The World Is Fair, in Spite of the Old Fall
This is the cold time, the long time, the Lenten time. All of creation groans for new life, but the ground whispers, Not yet. All of God’s people groan for the final redemption, for the here-and-now of God-with-us, but the still, small voice whispers, Not yet. The Resurrection is coming. The Resurrection has come. From an eternal perspective, the Resurrection is. Christ cried, “Finished,” as … Continue reading In My End is My Beginning: On the Mercy of Time in the Season of Lent
When an employee at Bordeaux University was told to rearrange the morbid artifacts of an out-of-the-way store closet full of shattered skulls, guns, hangman’s ropes, and aborted fetuses of siamese twins in 2009, he moved a few jars to find, on the back of the shelf, a tall, sealed beaker covered with decades of dust. It contained the lost amputated right leg of the great … Continue reading Leg in a Jar: The Amputation of the World’s Greatest Actress
No artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style. —Oscar Wilde, Preface to The Picture of Dorian Gray The video opens with a typical vlog set-up: A woman sits centered in front of the camera, her pristine background out of focus. The Scandinavian minimalist aesthetic is enough to make any 22-year-old vaguely covetous. Her platinum blonde hair … Continue reading The Rage of Caliban: Millennials and the New Aestheticism
He meets your eye from the book’s broad flyleaf, a vivid figure on a ground of flame blue. Piercing through a quizzical squint and the flash-fixed vapor of a cheeky cigar, the gaze is more forward than one expects from such age. Facing the title page’s monoglyph—Design—the portrait reads like a dare. In a way, it is. A household name in his native UK, Terence … Continue reading The Unlikely Peripatetic, or, A Postscript to the Paperclip
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